And I come into work and I’ll write them down eventually. The parts that I definitely think that are appropriate, I will remember. And rather than listening to it with a pen and paper, I enjoy listening to it on the run. That’s already happening listening to your podcast. > Shannon: So it seems like maybe you can do some teaching preparation while you’re running? And he’s hoping to finish in three hours, so he can qualify for the 2022 Boston Marathon. He’s run the distance before, but he hasn’t done an official race. He’s got some homework to do before teaching a traditional music course in the Spring.īut fortunately, he’s got hours of running ahead of him as he trains for a race in Savannah, Georgia. Growing up in Sixmilebridge in County Clare, he spent his evenings and weekends at hurling matches, not at Irish music sessions. He’s more of an expert in the ancient sport of hurling, which is kind of like Irish field hockey… dating back to 1200 BC. > Shannon: Pa doesn’t know much about traditional music YET. > Pa: No, I’d say my instrument is my hurley! And you yourself are not an Irish musician. And then next semester I’m teaching … a traditional music in Ireland and Scotland. We’ve a Celtic studies program and I’m teaching Irish language, Celtic mythology and like an Irish literature course. Michael’s college at the University of Toronto. > Pa: I’m teaching at the university of St. [ Music: Travel Theme, from Production Music Made for Irish Music Stories (Short for Patrick.) He’s working out ideas for an Irish & Scottish music course. > Shannon : And then it’s here, in my studio, that I stitch together those thoughts I came up with while running, with music and insights from my special guests. But it’s here where a lot of the mental work happens And then I weave it all together in my studio. I’ll talk to musicians or dancers around this topic. Now I dream up most of these stories initially out here-on the running trails. [ Music: “I Was Born For Sport,” from Caitlin The show about traditional music, and the bigger stories behind it. > Nigel Heaton: young announcer for Irish Music Stories > Evangelos Stowell: NY-reared, Boston-based linguist, Irish musician, and Harvard grant manager > Aubrey Atwater: Singer, dancer, multi-instrumentalist who performs and offers educational shows with duo partner Elwood Donnelly > Pa Sheehan: Irish language and Celtic Studies scholar and currently assistant Professor at the University of St. > Shannon Heaton: flute player, singer, composer, teacher, and host of Irish Music Stories This exhibition considered the legacies of crafting, textiles and weaving from modernism to the contemporary, both celebrating and challenging the avant-garde work of the weaving workshop.This Irish Music Stories episode aired October 12, 2021 Yet, many made it a radical site of experimentation and exploration including Anni Albers, Gunta Stölzl, Michiko Yamawaki, and Lilly Reich. The weaving workshop that emerged in the Bauhaus was artistically progressive but lacking in gender parity. As painter, Oskar Schlemmer, said in 1920: ‘Where there’s wool, there’s also a woman who will spin it, even if it is just to pass the time’. The women of the Bauhaus had no real other choice but to work in weaving. To celebrate 100 years of Bauhaus, Decorating Dissidence brought together performance artists, visual artists, community groups and craft practitioners as a response to the women’s weaving workshop…
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